man

Portrait of a well-seasoned man

Small light core on long legs with
Eyelashes ever ready to curl closely round you,
Lifting, but never
Arrogant, always present,
Stirring truth into spice, he disarms
Silence.  

His laundry lines up cleanly
To his  pit pat  on the door-mat.
His jaw, neat and still, in
Grace, unless moved, grows pepper-
Corns which he combs together into his deep warmth.

Full Moon

You are a world in a

Man, you are my heart in

My hand and my stomach

In a cup that can never

Be drained, you warm up

My soul with your pulse,

Your nostrils and your breaths,

Every hair that moves

On your face is lucky to be

Born near a warmth so

Keen it could run rings around

Me after circling the moon.

What made us think?

We looked at the world.

We took it all in

In colours and smells and

Thorns in our toes.

 

We smoothed down

The bark, carpeted

The mud, wove over

The stark panic

 

Or stole skin

From creatures better

Equipped for a trip

To this planet.

 

We woke up

Morn after morn and

Wondered what had swung

The orb lights round,

 

Seeming kinned

To the glints in the

Rock; mine it, let it

Wink at its clan.

 

Danger prints

On the track brim with

Odour, boding blood-

For it or us,

 

Suddenly

We revved our heads and

Span a thought sharper

Than a sabre’s tooth.

Looking out on Manhattan from Brooklyn: Thought 2 between Upper and Downside

Things are hard,

Life is hard and

Heights are heighter

Than Queens’ dreams of

Man-beaten man beating man to

The top spot

Below the Man,

Topsy turving.

Looking out on Manhattan from Brooklyn : Thought 3 between Keap Street and Kalm

The water lapped the shore

When Brooklyn was battle

And the only iron was shrapnel

Now water laps the shore

Under engineered thunder at

4:41 and 4:45 and more-

Express thunder chud – feeding stakes

To cheese-creamed bagel picnics

But heat sits

None the

Less.


A favour, somewhere outside Havana

Camel back

Fist snack

Taken from

A branch

Hanging low

Over Cadillac

Driven last

On a track

Broken off

From Havana.

Pomegranate

Hip flask

Drunk deep

From lip-

Thirst, taken

Out from glove-

Box locked up

For fear of

Bandit- brigands

Drawing near.

But lonely

Is the track

With the Cadillac,

Deserted in the

Heat, it hosts

Only one, the

Thirst-quaked

Caballero, donning

Baseball cap and

Poncho – No –

In his dreams

In real life

He’s wearing

Jeans his

Father had

From some

Canadian,

Bootleg cut,

That was the

Fashion, so

He’s told,

Faded now,

Patched all

Over, hot

In the heat they

Itch at the groin and

Pinch at his thighs.

In the distance

A spot-billow

And the grunt

Of diesel – mule

As a truck bucks,

Rearing onto

Track’s horizon,

Will it help?

Stop, get out

Proffer aid

To a fellow,

Soldier of the

Road? Hoping

So, he gets

Out, our poncho

Dreamer, and

Waits – under

The same tree

Mentioned earlier

Orlando’s wheels

Turn, truck driving

Over track to

The Cadillac

Beached beside

That strange

Old tree he

Passes every

Day on the

Way into Havana.

Break, stop, lean

Speak, hola,

Man exchange,

Help, proffered,

Help accepted

Wheels carry

Four legs and

Arms, to Havana,

Hungry but

Calm, Cadillac

Waits for

A tug and

A push

And a glug

Of shampoo

On Parkway in the Furniture Cafe, London N7

Table 1:

Another one

An Imacandroid

Or should I

Say Imacandroidess

Coz she’s, no mistake,

A woman –girl

And not a man-boy

Imacandroid.

There she sits

Straining her

Tea in this

Loose-leaf cafe

Halfway up

Parkway.

Why here and

Not at home

Where tea is

Free and Music

Low? We can

Only surmise, she

May not be typical –

Imacstereotyped.

If she was we

Could be cruel

And scorn her

Macananical cool.

We could tut and

Sip our lattes,

Chatting idly – why

God made cafes,

Not for her

To sit and

Pout, peering

Regally at we,

Mob, in the dark,

Beyond her mac,

With its Apple-

Shaped lamp.

But no, let’s be kind,

Perhaps she has

Come to escape her

Flat, bored of

Its walls and

Pissed off at

The cat.

Table Two:

Sitting round a table

On deliberately mismatched

Chairs, three mismatched

Friends meet ‘For coffee

On Saturday’ afternoon.

3 have tea,

Two have cake

Milk all round, No sugar.

She, the one

Without the cake,

Talking through

Eye-lined holes as

Listeners absorb

Projectile sounds

Through hair-

Greased ears and

Dull sponge eyes

Bulging with

Her Narcicisstic

Spew.

One chips in to brook

The flow, vain attempt

TO check the vain

As she, the ME one,

Carries on, convinced

She’s prettier, better,

Cleaner and more

Fun, in the most

Interesting of

Possible ways.

Looking round, glancing

Up at the mirror over head,

Down  at her cool grey

Thighs, legging-wrapped,

Looking through Briggita

To the wall behind her,

Next to which  a

Lone man sits

Absorbed in Sunday TImes

And ipod but

Nonetheless aware of

A caress from

Eyes too used to

Looking out, not seeing in.

8:30 am, Heart Attack Road

Death stopped his

Clock at 49 years, 38

Days and 54 seconds.

Enough? No sense in

Asking nonsense

Questions, his measure

Weighed no more

Nor less than 49

Years, 38 days and

54 seconds. No

Use holding

A bicycle, a

Cigarette, a

Curt phone-call,

Suspect , no murder

Here, only Life

Then Death.

Rerouted

So abruptly,

Where does he stamp-stomp now –

Swear or

Hack a laugh

And scratch

His ear to

Chase a thought?

What’s that sound

We hear on the

Stairs? Silence and the

Flaccid patter of

Other people’s feet,

Not his firm

Tread.

Who’s that voice

That Northern

Lurch? – No, not

Him, too mincing,

Not his whirr from

A tar-blacked pipe.

His last weekend,

His last of

Life, what

Passed, passed

Clear and

Flat, as if

To expose,

Not far ahead,

A fork in the road.

Off he veered,

Yet visible in

The morning glare, but

Shrinking,

Slowly, steps

Grow softer

As his edges

Fizz their last,

And crackle warmly

Into Horizon.

In memory of a man, a salesman from Nottingham, fond of sailing and his 3 children.

Cinema Fate?

 

 Fourth from the

Front, too

Squashed, hop

Back one, and

Space. A

Head pops

Up and floats

To fill the empty

Seat beside

Me. I hear

His breathing,

higher than mine, a tall

Man, about

My age,younger

maybe, or healthier.

He reacts to the

Film in the normal

Way and puts

A manly distance

Between me

And his laughs,

No sighs.

 

Ice crackles in my plastic

Cup and I hear

Coke rush down my

Throat, trying not to

Gulp and sound revolting.

 

Corleone rumbles on,

Tomato trees shake

With his frame –

Shots sound and

I shudder, alone. My

Ice rattles

While the head looks

On, still,calm,

He’s seen it ten

Times before,maybe.

I’ll never know